'King Lear' Quizlet 4
Act 4: Quizlet flashcards for recalling and thinking about quotations.
Read More'King Lear' Quizlet 3
A Quizlet of quotation flashcards for Act 3: for prompting thinking, and retrieval practice.
Read More'King Lear': the end
The famously bleak ending of King Lear could so easily have been different. In fact, so different it could have been a comedy, a knife-edge that makes it all the more cheerless, dark and deadly.
Read More'King Lear': blindness and seeing
The central metaphor of King Lear is blindness and seeing: this essay explores that idea.
Read More'King Lear': Albany and Kent
Kent and Albany are lesser characters in King Lear, but each plays an important part, giving us insights into key ideas of the play.
Read More'King Lear' Quizlet 2
Act 2: Quizlet flashcards for recalling and thinking about quotations.
Read MoreJames Shapiro on 'King Lear'
James Shapiro’s outstanding 1606: Shakespeare and the year of Lear, is a great resource for teachers of the play, as well as of the other two plays Shakespeare wrote in that extraordinary period, Macbeth and Antony and Cleopatra. Here are some notes that refer to Lear, especially from the chapter ‘Leir to Lear’, in which Shapiro examines how Shakespeare reshaped the main source text, King Leir.
Read More'King Lear': cheerless, dark and deadly
This essay examines the utter bleakness of King Lear, a play in which there is no mitigation of darkness, no religious consolation.
Read More'King Lear': the opening scene
Shakespeare doesn’t waste time at the starts of his great tragedies; in fact, all four open disconcertingly with a sense of confusion and un-ease. In King Lear again we are pitched straight into the middle of a rather flustered conversation, which hits on a central theme of this play – division and disorder.
Read More'King Lear' Quizlet Act 1
Quizlet of quotations from Act 1 of King Lear to use for revision and retrieval practice.
Read MoreJames Shapiro on Manifest Destiny
James Shapiro is a superb analyst of Shakespeare. In a recent podcast interview by Peter Moore from Travels from Time he concentrates on one year, 1845 (of course, Shapiro has written book-length studies of 1599 and 1606), including two extraordinary stories: Ulysses S. Grant’s casting as Desdemona and Charlotte Cushman’s performance as Romeo.
Read MoreShakespeare in a Divided America
James Shapiro’s latest book, Shakespeare in a Divided America, is brilliant reading. Shapiro skilfully shows how Shakespeare has been ‘present’ in so many of the most important moments in American life.
Read More97 quotations from 'Hamlet'
Quotations are the core of an answer on Hamlet. If you are preparing to answer on the play in an exam, it’s essential you can refer in detail to the text. Think of what should replace 'blank' in each case, then click to see the answer. Now write down (or, better still, discuss with a friend): how could this quotation be used? how is it helpful/interesting? how does it connect with others? Use this exercise not just to retrieve, but to think.
Read MoreThinking about 'Hamlet'
Here are some exercises on quotations in Hamlet. They are designed for pair-work 10-minute sessions in class, but work perfectly well for individuals. You need to know the play well, so these are for revision at a late stage. The purpose is to make your mind work hard.
Read MoreHamlet: the first soliloquy
The first soliloquy in Hamlet is poised just before the protagonist’s life changes: we hear the words of a man eaten up with bitterness, frustration and anger. When you’re studying this play, it’s important that you have a detailed knowledge of this and the subsequent soliloquies – they’re hard evidence of what is inside the head of this most complex character.
Read More'Hamlet': the opening scene
Shakespeare’s four great tragedies all open in uncertainty and discomfort. In Macbeth, three ‘weird’ figures of indeterminate gender speak in riddles. In Othello, two men mutter obscurely in a Venetian street, one telling the other of his contempt for his own boss, and then the two rouse the house of a respected Senator. In King Lear, two noblemen discuss with dismay how the aged King is favouring one Duke over another, following which the said King, appallingly, slices up his own kingdom.
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